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Anything But Gray Events

January 20, 2018 by Patricia

CLIENT: Anything But Gray Events
PROJECT: BRANDING AND WEBSITE DESIGN (Full Branding Suite)
LINK: anythingbutgrayevents.com

This branding project is truly anything but gray. Holly Gray, technicolor events planner based in California, wanted a complete rebranding when she approached brand strategist extraordinaire Ginny Krauss.  Her brand wasn’t hitting her ideal clients. She felt like she hit a wall, and wanted a new direction so she can grab the attention of clients that she wanted to work with – fun, creative, and colorful couples who wanted anything but gray. Ginny guided her through the process, and so Events by Holly Gray became Anything But Gray Events, with a totally new brand identity and design.

MOOD BOARD

As with most projects, after the initial consultation, Pinterest board curation, and design questionnaire, we started with a moodboard. This is a technicolor lady boss we are working with, so of course it will be as colorful and vibrant as she is!

LOGO DESIGN

The logo design process took several weeks.  Holly wanted the concept of having several colorful pieces forming a cohesive whole, with a circular element, gold confetti, and a mix of sans-serif and an edgy script. I forgot how many versions we worked on until she finally chose one – but that’s mainly because I kept trying to pare down the design and keep things simple & clean, when that’s not who she is. It was after chatting with her and getting to know her better that I realized where this brand identity design needed to go.

This was the design that she initially approved:

But when I showed her this submark, she fell in love with it and changed the primary logo to this one instead:

BRAND STYLE GUIDE

STATIONERY SUITE

Like her brand, her stationery suite is also technicolor and fun.

WEBSITE DESIGN

While I am usually pro-minimalism, there was no way that would have applied to Holly’s website. I had to remember that it is intended to target a niche market, not the general public. It is bold, colorful, creative, cheerful, and over the top! Holly has the most amazing brand images so it was so easy to draw inspiration from her photos alone. (Seriously, it’s worth the investment, you’ll see.)

This is her new website. It’s like entering into a technicolor dream world.

Compare this to her website before:

But don’t take my word for it, go over there and check it out!  Here’s what Holly had to say:

“I didn’t feel like I had to explain myself or my choices to either gal. They both just got it and ran with it! It was Ginny n’ Pat for the win! Our international trifecta perfecta was complete!”

Filed Under: Featured Projects

About Patricia

Patricia Alix is the founder and creative director of Fancy Girl Design Studio, a luxury brand and web design studio based in Singapore. She specializes in crafting elevated brand identities and bespoke websites for interior designers and creative female founders who are ready to be seen as the leaders they are. Her mission is simple: to show the world just how good you are.

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Hi, I’m Patricia, the girl
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I love pretty things, clever words, fonts, colors, the Oxford comma, and exclamation points!
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THE EXPERIENCE CONTINUES ON INSTAGRAM @FANCYGIRLDESIGNS

The typefaces surfacing this week share a theme: n The typefaces surfacing this week share a theme: not serifs broadly, but a specific vintage register, letterforms with visible weight variation, a slightly worn edge, the sense that someone drew them by hand. 
The Ashcombe Hall has the gravity of a country house library, the kind of face you'd expect stamped in gold on a leather spine. Vintage Serenade moves looser, more lyrical, closer to something a calligrapher would have signed.
Design has swung this way before. When the Industrial Revolution made everything fast and identical, William Morris and the Arts and Crafts movement answered with ornament, with craft, with the visible mark of the maker. The clean grid had its long turn at the wheel. This particular kind of type, textured, hand-cut, carrying a sense of history in the strokes, is having its own.
The antiques returning to people's living rooms and this type returning to branding are doing the same work. Both are reminding us a skilled hand was involved.
The Victorians read morning glory as fleeting love The Victorians read morning glory as fleeting love. I read it as a flower that simply knows when to leave the party.
#vintagetypeart #botanicaldesign #floraldesign
She used to sit across from people while they figu She used to sit across from people while they figured it out.
Now she's the one they came to hear.
That's what this moodboard is all about.
Another sneak peek. Monograms are my favorite thin Another sneak peek. Monograms are my favorite thing to design.
The best marketing strategy? Be really, really goo The best marketing strategy? Be really, really good at what you do. Everything else works better from there.
There's a lineage running through this one. Ever There's a lineage running through this one. 
Every object here survived because someone refused to rush the first pass. That's what craftsmanship actually is, a decision rather than a finish, made once, correctly, by someone with the patience to do it properly. Cornicing nobody hurried. A pattern made stitch by stitch. A tack room that assumes you already know what you're looking at.
The eighteenth century understood something we're still relearning: ornament is a form of discipline, not decoration for its own sake. That's the instinct behind this palette, this pairing, this whole quiet insistence on doing it right.
I am so excited to be working on this brand identity!
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