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BASIC BASH EVENTS

July 12, 2017 by Patricia

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CLIENT: BASIC BASH EVENTS
PROJECT: LOGO & BRAND IDENTITY DESIGN, WEBSITE DESIGN
LINK: basicbashevents.com

Basic Bash Events is a wedding planning and floral design boutique in Omaha, NE.  They wanted a logo that was modern, feminine, bright, personal, and happy; in order to appeal to their target market.  Since their ideal client is young (20’s to 30’s), they wanted to make sure that their brand conveyed a very youthful, playful vibe.  I worked with them over the course of a few months to come up with a brand identity design and website that reflected their vision.

Here is the moodboard and color palette:

They were inspired by the top left image, with the hombre curtain and gold shelves. (Truth be told, it made me want to redecorate my living room too!)

LOGO DESIGN

For their logo, I designed a hand-written typography paired with a classic font.  Because the company also offers floral design, we had to add some flowers on it, and they picked hand-drawn vector roses.

Here is the brand board with the complete logo set:

Here is the stationery suite design, showing how the patterns are used.

WEBSITE DESIGN:

They wanted the website to feel personal and professional, and also mobile responsive.  We used the brand elements all throughout, and made sure that the overall look was consistent.

HOMEPAGE

ABOUT PAGE

SERVICES PAGE

PORTFOLIO PAGE

CONTACT PAGE

Filed Under: Featured Projects

About Patricia

Patricia Alix is the founder and creative director of Fancy Girl Design Studio, a luxury brand and web design studio based in Singapore. She specializes in crafting elevated brand identities and bespoke websites for interior designers and creative female founders who are ready to be seen as the leaders they are. Her mission is simple: to show the world just how good you are.

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Hi, I’m Patricia, the girl
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I love pretty things, clever words, fonts, colors, the Oxford comma, and exclamation points!
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THE EXPERIENCE CONTINUES ON INSTAGRAM @FANCYGIRLDESIGNS

The typefaces surfacing this week share a theme: n The typefaces surfacing this week share a theme: not serifs broadly, but a specific vintage register, letterforms with visible weight variation, a slightly worn edge, the sense that someone drew them by hand. 
The Ashcombe Hall has the gravity of a country house library, the kind of face you'd expect stamped in gold on a leather spine. Vintage Serenade moves looser, more lyrical, closer to something a calligrapher would have signed.
Design has swung this way before. When the Industrial Revolution made everything fast and identical, William Morris and the Arts and Crafts movement answered with ornament, with craft, with the visible mark of the maker. The clean grid had its long turn at the wheel. This particular kind of type, textured, hand-cut, carrying a sense of history in the strokes, is having its own.
The antiques returning to people's living rooms and this type returning to branding are doing the same work. Both are reminding us a skilled hand was involved.
The Victorians read morning glory as fleeting love The Victorians read morning glory as fleeting love. I read it as a flower that simply knows when to leave the party.
#vintagetypeart #botanicaldesign #floraldesign
She used to sit across from people while they figu She used to sit across from people while they figured it out.
Now she's the one they came to hear.
That's what this moodboard is all about.
Another sneak peek. Monograms are my favorite thin Another sneak peek. Monograms are my favorite thing to design.
The best marketing strategy? Be really, really goo The best marketing strategy? Be really, really good at what you do. Everything else works better from there.
There's a lineage running through this one. Ever There's a lineage running through this one. 
Every object here survived because someone refused to rush the first pass. That's what craftsmanship actually is, a decision rather than a finish, made once, correctly, by someone with the patience to do it properly. Cornicing nobody hurried. A pattern made stitch by stitch. A tack room that assumes you already know what you're looking at.
The eighteenth century understood something we're still relearning: ornament is a form of discipline, not decoration for its own sake. That's the instinct behind this palette, this pairing, this whole quiet insistence on doing it right.
I am so excited to be working on this brand identity!
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