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Featured Project: Dairing Bride Academy

July 14, 2016 by Patricia

This was a fun design project! I’m so excited to share this because we used floral watercolors, one of my absolute favorite things in the world! The Dairing Bride Academy is a brainchild of Adair Curie, one of the top wedding planners in Florida. It is a heartfelt, immersive wedding planning workshop that aims to enlighten and empower brides as they plan their dream weddings.  It took us almost 3 months to finish her rebranding, but it was worth it!

We started with her logo, which is actually a re-design (I also did the first one a couple of years ago).  She initially wanted to get inspiration from the original logo but with a few design changes, (including a new name of her workshop), but then in the end she decided to stick to the original name but with a total revamp of the design, getting rid of the stiff formality of the old one.

THE COLOR PALETTE

This time around, she wanted a more colorful, fresh look, which you can see from her color palette. The navy blue and gold from her original logo are still there, but we’ve added coral, butter yellow, mint, and seafoam.

mood board for Dairing Bride Academy

THE LOGO DESIGN

After she approved the moodboard, I presented her with a few options for her new logo.  We did several logo versions that referenced the original logo design, but she changed her mind mid-way in a burst of inspiration.  Do you know that she actually dreamt about the concept?  The final logo is totally different, with watercolor florals and a fancy gold frame.  The only reference to the original logo is the lettering on the name.

logo design for Dairing Bride Academy by Fancy Girl Design Studio

 

Here is her brand board.

brand board for Dairing  Bride Academy by Fancy Girl Design Studio

logo design card mockup for Dairing Bride Academy by Fancy Girl Design Studio

WEBSITE DESIGN

After we finalized the new logo, we continued the same fun, colorful theme to her website design, with a collage-type homepage layout.

Website Design for Dairing Bride Academy by Fancy Girl Design Studio

The homepage is fun and welcoming, with a good mix of photos,  patterns, and text.  Adair is a creative entrepreneur who knows what she wants and what looks good. It was really great working with someone who has an amazing sense of style.  The rest of the inner pages are also styled to match, and we used the flowers from her logo as dividers.

DB-Responsive

A lot of websites with collage-style landing pages are not mobile responsive, which is a shame, because it’s totally possible! I created several widget areas that are easy to change and update.  There is also room for an image slider at the top right.

Dairingbrides.com is built on the Genesis Framework, like all my other web design projects, and is totally mobile friendly.  Do check it out!

Filed Under: Featured Projects Tagged With: logo design, website design

About Patricia

Patricia Alix is the founder and creative director of Fancy Girl Design Studio, a luxury brand and web design studio based in Singapore. She specializes in crafting elevated brand identities and bespoke websites for interior designers and creative female founders who are ready to be seen as the leaders they are. Her mission is simple: to show the world just how good you are.

Previous Post: « Faith – a floral type project
Next Post: Featured Project: Bethany Walter Photography »

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Hi, I’m Patricia, the girl
behind Fancy Girl Design Studio.
I love pretty things, clever words, fonts, colors, the Oxford comma, and exclamation points!
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THE EXPERIENCE CONTINUES ON INSTAGRAM @FANCYGIRLDESIGNS

The typefaces surfacing this week share a theme: n The typefaces surfacing this week share a theme: not serifs broadly, but a specific vintage register, letterforms with visible weight variation, a slightly worn edge, the sense that someone drew them by hand. 
The Ashcombe Hall has the gravity of a country house library, the kind of face you'd expect stamped in gold on a leather spine. Vintage Serenade moves looser, more lyrical, closer to something a calligrapher would have signed.
Design has swung this way before. When the Industrial Revolution made everything fast and identical, William Morris and the Arts and Crafts movement answered with ornament, with craft, with the visible mark of the maker. The clean grid had its long turn at the wheel. This particular kind of type, textured, hand-cut, carrying a sense of history in the strokes, is having its own.
The antiques returning to people's living rooms and this type returning to branding are doing the same work. Both are reminding us a skilled hand was involved.
The Victorians read morning glory as fleeting love The Victorians read morning glory as fleeting love. I read it as a flower that simply knows when to leave the party.
#vintagetypeart #botanicaldesign #floraldesign
She used to sit across from people while they figu She used to sit across from people while they figured it out.
Now she's the one they came to hear.
That's what this moodboard is all about.
Another sneak peek. Monograms are my favorite thin Another sneak peek. Monograms are my favorite thing to design.
The best marketing strategy? Be really, really goo The best marketing strategy? Be really, really good at what you do. Everything else works better from there.
There's a lineage running through this one. Ever There's a lineage running through this one. 
Every object here survived because someone refused to rush the first pass. That's what craftsmanship actually is, a decision rather than a finish, made once, correctly, by someone with the patience to do it properly. Cornicing nobody hurried. A pattern made stitch by stitch. A tack room that assumes you already know what you're looking at.
The eighteenth century understood something we're still relearning: ornament is a form of discipline, not decoration for its own sake. That's the instinct behind this palette, this pairing, this whole quiet insistence on doing it right.
I am so excited to be working on this brand identity!
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