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Featured Project: Sara Parker Photography

November 22, 2017 by Patricia

Sara Parker Photography provides engagement and wedding photography in the South Eastern U.S. Our client, the lovely Sara Colombo, loves everything French, and wanted a classic & elegant look for her rebrand.  Ginny Krauss worked with her brand strategy, and I designed her branding suite and website.  It was such a treat to work on this project! I’ve always preferred brands that are classic and timeless, and that’s exactly what Sara wanted.

Here is the moodboard and color  palette that I came up with based on her design brief and Pinterest board:

MOOD BOARD

moodboard and color palette for Sara Parker

The colors are very soft, light, and almost neutral.

LOGO DESIGN

Sara Parker logo design

Because of her love of all things French, Sara wanted a small fleur de lis icon in her logo, and an easily identifiable monogram. I chose a classic, soft serif for her typography. She loved it!

BRAND BOARD

brand guide for Sara Parker Photography

STATIONERY SUITE

stationery suite design for Sara Parker Photography

I love how the pattern came out! I used the frame of the logo and created a seamless pattern that I applied to the envelope liner, letterhead, business card, and notecard. Sara wanted a square business card so we kept it really classic and simple.

WEBSITE DESIGN

We carried over the same look  for her website’s design.  The emphasis is on her imagery, so we used a lot of her lovely photographs, which were all perfectly aligned with her brand strategy.

Sara initially wanted a landing page that will direct viewers to the actual homepage, but because this doesn’t help the user experience at all (why add an unnecessary step and also negatively affect your SEO?), I did a workaround in giving her the look of a landing page when you enter her site, with a clickable link that scrolls down to the rest of the page instead of to another one.

Sara Parker Website Design
website design for Sara Parker Photography

The rest of her pages all have the same romantic, sophisticated look. The website is mobile responsive, of course, and built on the Genesis Framework and Beaver Builder, which makes it very flexible. It has in integrated custom portfolio post type, as well as a blog.  Do check out her website.

Filed Under: Featured Projects Tagged With: beautiful website design, branding, custom website design, custom wordpress theme, logo design

About Patricia

Patricia Alix is the founder and creative director of Fancy Girl Design Studio, a luxury brand and web design studio based in Singapore. She specializes in crafting elevated brand identities and bespoke websites for interior designers and creative female founders who are ready to be seen as the leaders they are. Her mission is simple: to show the world just how good you are.

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Hi, I’m Patricia, the girl
behind Fancy Girl Design Studio.
I love pretty things, clever words, fonts, colors, the Oxford comma, and exclamation points!
Won’t you grab a cup of tea with me and stay a while? Let’s talk all things pretty.

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THE EXPERIENCE CONTINUES ON INSTAGRAM @FANCYGIRLDESIGNS

The typefaces surfacing this week share a theme: n The typefaces surfacing this week share a theme: not serifs broadly, but a specific vintage register, letterforms with visible weight variation, a slightly worn edge, the sense that someone drew them by hand. 
The Ashcombe Hall has the gravity of a country house library, the kind of face you'd expect stamped in gold on a leather spine. Vintage Serenade moves looser, more lyrical, closer to something a calligrapher would have signed.
Design has swung this way before. When the Industrial Revolution made everything fast and identical, William Morris and the Arts and Crafts movement answered with ornament, with craft, with the visible mark of the maker. The clean grid had its long turn at the wheel. This particular kind of type, textured, hand-cut, carrying a sense of history in the strokes, is having its own.
The antiques returning to people's living rooms and this type returning to branding are doing the same work. Both are reminding us a skilled hand was involved.
The Victorians read morning glory as fleeting love The Victorians read morning glory as fleeting love. I read it as a flower that simply knows when to leave the party.
#vintagetypeart #botanicaldesign #floraldesign
She used to sit across from people while they figu She used to sit across from people while they figured it out.
Now she's the one they came to hear.
That's what this moodboard is all about.
Another sneak peek. Monograms are my favorite thin Another sneak peek. Monograms are my favorite thing to design.
The best marketing strategy? Be really, really goo The best marketing strategy? Be really, really good at what you do. Everything else works better from there.
There's a lineage running through this one. Ever There's a lineage running through this one. 
Every object here survived because someone refused to rush the first pass. That's what craftsmanship actually is, a decision rather than a finish, made once, correctly, by someone with the patience to do it properly. Cornicing nobody hurried. A pattern made stitch by stitch. A tack room that assumes you already know what you're looking at.
The eighteenth century understood something we're still relearning: ornament is a form of discipline, not decoration for its own sake. That's the instinct behind this palette, this pairing, this whole quiet insistence on doing it right.
I am so excited to be working on this brand identity!
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