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Fancy Girl Design Studio

Brand & Web Design for Creative Female Founders

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ELLE AUDREY EVENTS

PROJECT TYPE:
  • FULL BRANDING SUITE
  • PROFESSIONAL WEBSITE DESIGN

Elle Audrey, formerly Elle Audrey New York, is a top wedding planner and designer in New York City known for luxury wedding planning with a distinctly lavish style. Founded by Lauren Dickens, they have established a reputation for grand designs and a truly one-of-a-kind experience for their brides. Their work has been featured in top bridal magazines and wedding blogs several times.

Lauren and I worked together on her first rebrand four years ago, and it's still one of my favourite projects to date. But it was time to update it with a more sophisticated, avant garde look to match their own evolving style.

MOODBOARD

moodboard and color palette for Elle Audrey New York - luxury wedding planner

LOGO DESIGN

modern, stylish brand identity design for Elle Audrey, luxury wedding planner | by Fancy Girl Design Studio
stylish logo design, brand guide for Elle Audrey luxury wedding planner
modern, stylish pattern design for Elle Audrey, luxury wedding planner by Fancy Girl Design Studio
stylish logo design for Elle Audrey, luxury wedding planner

PRICE LIST

WEBSITE DESIGN

modern, stylish website design for Elle Audrey, luxury wedding planner in New York City
modern, stylish website design for Elle Audrey, luxury wedding planner in New York City by Fancy Girl Design Studio
Flora-Ly Studio→
Poirrier & Co Couture←

About

Fancy Girl Design Studio creates bespoke brands and websites for interior designers and creative women entrepreneurs. We craft polished, personality-packed brand and web designs that elevate creative businesses with elegance and intention. Based in Singapore, serving clients worldwide since 2011.

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THE EXPERIENCE CONTINUES ON INSTAGRAM @FANCYGIRLDESIGNS

The typefaces surfacing this week share a theme: n The typefaces surfacing this week share a theme: not serifs broadly, but a specific vintage register, letterforms with visible weight variation, a slightly worn edge, the sense that someone drew them by hand. 
The Ashcombe Hall has the gravity of a country house library, the kind of face you'd expect stamped in gold on a leather spine. Vintage Serenade moves looser, more lyrical, closer to something a calligrapher would have signed.
Design has swung this way before. When the Industrial Revolution made everything fast and identical, William Morris and the Arts and Crafts movement answered with ornament, with craft, with the visible mark of the maker. The clean grid had its long turn at the wheel. This particular kind of type, textured, hand-cut, carrying a sense of history in the strokes, is having its own.
The antiques returning to people's living rooms and this type returning to branding are doing the same work. Both are reminding us a skilled hand was involved.
The Victorians read morning glory as fleeting love The Victorians read morning glory as fleeting love. I read it as a flower that simply knows when to leave the party.
#vintagetypeart #botanicaldesign #floraldesign
She used to sit across from people while they figu She used to sit across from people while they figured it out.
Now she's the one they came to hear.
That's what this moodboard is all about.
Another sneak peek. Monograms are my favorite thin Another sneak peek. Monograms are my favorite thing to design.
The best marketing strategy? Be really, really goo The best marketing strategy? Be really, really good at what you do. Everything else works better from there.
There's a lineage running through this one. Ever There's a lineage running through this one. 
Every object here survived because someone refused to rush the first pass. That's what craftsmanship actually is, a decision rather than a finish, made once, correctly, by someone with the patience to do it properly. Cornicing nobody hurried. A pattern made stitch by stitch. A tack room that assumes you already know what you're looking at.
The eighteenth century understood something we're still relearning: ornament is a form of discipline, not decoration for its own sake. That's the instinct behind this palette, this pairing, this whole quiet insistence on doing it right.
I am so excited to be working on this brand identity!
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