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Fancy Girl Design Studio

Brand & Web Design for Creative Female Founders

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NATALIE CALVANO INTERIOR DESIGN

PROJECT TYPE:
  • FULL BRANDING SUITE

Natalie Calvano owns a ballet school in North Carolina, and she is now venturing into interior design. Her mission is to create beautiful sanctuaries for her clients. Natalie's attention to detail is amazing, and it was such a treat to work with her on her logo design and coordinating stationery suite.

I asked her to pick 3 keywords to describe her brand, and she chose tailored, timeless, and sophisticated.

MOODBOARD

moodboard and color palette for Natalie Calvano Design

Rich tones of classic blue, hunter green, paired with black and gold give it a very timeless, upscale vibe. Natalie loves classic colors, with rich blues and greens, and specifically asked for a touch of metallic gold.

LOGO DESIGN

I designed two options for Natalie's logo:

DESIGN 1

logo design option 1 for Natalie Calvano design

DESIGN 2

logo design option 2 for Natalie Calvano

Natalie picked design 1, which I then developed into a full brand identity suite. The emblem is made up of interlocking C's, taken from a glyph alternate of the letter C in her main font. It gives a very tailored, classic look.

tailored, timeless, polished logo design for interior designer Natalie Calvano, with interlocking C's. designed by Fancy Girl Design Studio
tailored, timeless, polished logo design for interior designer Natalie Calvano, with interlocking C's. designed by Fancy Girl Design Studio

BRAND GUIDE

brand style guide for interior designer Natalie Calvano | by Fancy Girl Design Studio

STATIONERY SUITE

stationery suite design for interior designer Natalie Calvano
pattern design for Natalie Calvano Design
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About

Fancy Girl Design Studio creates bespoke brands and websites for interior designers and creative women entrepreneurs. We craft polished, personality-packed brand and web designs that elevate creative businesses with elegance and intention. Based in Singapore, serving clients worldwide since 2011.

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THE EXPERIENCE CONTINUES ON INSTAGRAM @FANCYGIRLDESIGNS

The typefaces surfacing this week share a theme: n The typefaces surfacing this week share a theme: not serifs broadly, but a specific vintage register, letterforms with visible weight variation, a slightly worn edge, the sense that someone drew them by hand. 
The Ashcombe Hall has the gravity of a country house library, the kind of face you'd expect stamped in gold on a leather spine. Vintage Serenade moves looser, more lyrical, closer to something a calligrapher would have signed.
Design has swung this way before. When the Industrial Revolution made everything fast and identical, William Morris and the Arts and Crafts movement answered with ornament, with craft, with the visible mark of the maker. The clean grid had its long turn at the wheel. This particular kind of type, textured, hand-cut, carrying a sense of history in the strokes, is having its own.
The antiques returning to people's living rooms and this type returning to branding are doing the same work. Both are reminding us a skilled hand was involved.
The Victorians read morning glory as fleeting love The Victorians read morning glory as fleeting love. I read it as a flower that simply knows when to leave the party.
#vintagetypeart #botanicaldesign #floraldesign
She used to sit across from people while they figu She used to sit across from people while they figured it out.
Now she's the one they came to hear.
That's what this moodboard is all about.
Another sneak peek. Monograms are my favorite thin Another sneak peek. Monograms are my favorite thing to design.
The best marketing strategy? Be really, really goo The best marketing strategy? Be really, really good at what you do. Everything else works better from there.
There's a lineage running through this one. Ever There's a lineage running through this one. 
Every object here survived because someone refused to rush the first pass. That's what craftsmanship actually is, a decision rather than a finish, made once, correctly, by someone with the patience to do it properly. Cornicing nobody hurried. A pattern made stitch by stitch. A tack room that assumes you already know what you're looking at.
The eighteenth century understood something we're still relearning: ornament is a form of discipline, not decoration for its own sake. That's the instinct behind this palette, this pairing, this whole quiet insistence on doing it right.
I am so excited to be working on this brand identity!
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