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Vintage-Style Illustration for Bianca

June 11, 2015 by Patricia

commissioned-art-fancygirldesigns

A client approached me recently, with the most beautiful name (Aura – what lovely mysteries the name conjures!), asking me to paint something for her daughter Bianca (another lovely name!) who was going away to college.  She said that her daughter loves all things vintage, Kate Middleton, Audrey Hepburn, Tiffany blue, and that her favourite book in all the world was Oh, The Places You’ll Go.  She didn’t want a portrait, as her daughter is shy, but she wanted an illustration that would capture her personality.

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This is the final version of the illustration that I sent, and she loved it! I sketched out this idea of a girl in a vintage dress with a vintage suitcase, looking at a stylized map of the world.  She approved the design right away and I proceeded to paint it, adding another black and white suitcase when she suggested it.  (The black and white stripes look so good, doesn’t it?)

My heart did a pitter patter when the client texted me – “It’s funny the luggage she’s holding on the right hand, Bianca has one exactly like it! From my mom to her, it belonged to my mom in college. Made me teary eyed. You got her personality, and you haven’t even met her. It’s amazing!”

Filed Under: Art & Illustrations Tagged With: art, commissions, illustrations, vintage

About Patricia

Patricia Alix is the founder and creative director of Fancy Girl Design Studio, a luxury brand and web design studio based in Singapore. She specializes in crafting elevated brand identities and bespoke websites for interior designers and creative female founders who are ready to be seen as the leaders they are. Her mission is simple: to show the world just how good you are.

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Hi, I’m Patricia, the girl
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I love pretty things, clever words, fonts, colors, the Oxford comma, and exclamation points!
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THE EXPERIENCE CONTINUES ON INSTAGRAM @FANCYGIRLDESIGNS

The typefaces surfacing this week share a theme: n The typefaces surfacing this week share a theme: not serifs broadly, but a specific vintage register, letterforms with visible weight variation, a slightly worn edge, the sense that someone drew them by hand. 
The Ashcombe Hall has the gravity of a country house library, the kind of face you'd expect stamped in gold on a leather spine. Vintage Serenade moves looser, more lyrical, closer to something a calligrapher would have signed.
Design has swung this way before. When the Industrial Revolution made everything fast and identical, William Morris and the Arts and Crafts movement answered with ornament, with craft, with the visible mark of the maker. The clean grid had its long turn at the wheel. This particular kind of type, textured, hand-cut, carrying a sense of history in the strokes, is having its own.
The antiques returning to people's living rooms and this type returning to branding are doing the same work. Both are reminding us a skilled hand was involved.
The Victorians read morning glory as fleeting love The Victorians read morning glory as fleeting love. I read it as a flower that simply knows when to leave the party.
#vintagetypeart #botanicaldesign #floraldesign
She used to sit across from people while they figu She used to sit across from people while they figured it out.
Now she's the one they came to hear.
That's what this moodboard is all about.
Another sneak peek. Monograms are my favorite thin Another sneak peek. Monograms are my favorite thing to design.
The best marketing strategy? Be really, really goo The best marketing strategy? Be really, really good at what you do. Everything else works better from there.
There's a lineage running through this one. Ever There's a lineage running through this one. 
Every object here survived because someone refused to rush the first pass. That's what craftsmanship actually is, a decision rather than a finish, made once, correctly, by someone with the patience to do it properly. Cornicing nobody hurried. A pattern made stitch by stitch. A tack room that assumes you already know what you're looking at.
The eighteenth century understood something we're still relearning: ornament is a form of discipline, not decoration for its own sake. That's the instinct behind this palette, this pairing, this whole quiet insistence on doing it right.
I am so excited to be working on this brand identity!
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